When he finally did get up the nerve to visit, he says, the sight of the place gave him a ghostly chill - "like you're Indiana Jones exploring his own tomb. He knew the space all too well, having co-curated its exhibits, and had felt heartsick every time he tried to wrap his mind around what it would look like empty. “So we had created processes during that time and were able to implement them immediately.It was weeks before Doug Naselroad could bring himself to set foot inside the Museum of the Mountain Dulcimer in Hindman, Ky. “The unfortunate thing is that we learned a lot of our response techniques and methods from our response to the western Kentucky tornado disaster, which included significant effects to the arts and culture field,” Moses said, adding that they continue to work with artists and arts groups in that region as well. The Kentucky Arts Council is working with culture groups in the affected areas, helping assess the damage and connecting artists and organizations with local and national resources.Įxecutive staff advisor Emily Moses said they were able to respond quickly. And so to have this accurate, historic record of us be so threatened is really devastating.”
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“In TV and films and comic strips and commercials and whatever form of visual media you can think of, we've been negated and/or erased. “We're often not represented in a complex way,” House continued. These collections, artists and arts organizations also highlight a more nuanced representation of the region. In the wake of the floods, the school has been providing shelter, food and supplies for those in need. The school’s annual Appalachian Writers Workshop, intended to help Appalachian writers tell their own stories or the stories of their homeland, is considered not only an important contributor to the legacy of the literary arts in Kentucky, but to American literature as a whole. House grew up in eastern Kentucky and credits the settlement school as an important part of his path to becoming a published writer. But those photographs and those letters and journals, those are proof of people's lives over the last century,” novelist and writer Silas House said. “Of course, human loss is the worst part of it. The school is working to recover and preserve what they can. Louisville Public Media While the archives at the Hindman Settlement School were protected from the possibility of fire, feet of flood waters soaked them.
“Right now, the entire region is going through this terrible disaster where the ‘culture of recovery’ kind of takes on a different meaning, and we're trying to recover from this awful thing that has happened to us.” The floods have disrupted that programming, and Anderson feels urgency to get it back up and running. “As artists, we put so much thought into the stuff that we use every single day, and for that to be completely washed away in one night, it's really heartbreaking to see that,” she said, adding that at least one of their artists also lost their home and was injured during the storm.Īnderson also coordinates the center’s Culture of Recovery program, which teaches art skills to people with opioid addiction to aid them in recovery. High flood waters ravaged the first floor of the Appalachian Artisan Center in Hindman, destroying classroom equipment, kilns, administrative offices and artist studios. As of Monday, much of the level had been mucked out, thanks to a restoration company that specializes in water damage repair, and mud-crusted debris was piled up outside.Īrtistic director Renee Anderson said she feels bad mourning the loss of a newly painted mural and carefully curated artist studios “when so many people have lost so much… but it was very emotional coming in and seeing everything completely different from what I was used to.” But recent flooding has damaged important local archives, devastated arts businesses and left some artists worried about their livelihoods. Eastern Kentucky is known for its rich arts and culture.
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